Contemporary art history often focuses on the narrative of art above that of materials and making, which tend to be positioned into the arena of 'craft'. Over the centuries, however, an artist or maker's choice of material has often borne a direct connection to the meaning and execution of a work and, in overlooking the significance of this choice, the viewer stands to miss part of the interpretation. This panel discussion explores the rich narrative contained within the varied properties of wood and the importance of understanding the process of making. Speakers: Richard Coles, Antique Dealer and Masterpiece London exhibitor Sarah Myerscough, Gallerist and Masterpiece London exhibitor Tom Palmer, Director & Head of Furniture & Projects, Plowden & Smith Ada de Wit, Curator of Works of Art and Sculpture, The Wallace Collection Moderator: Dr Megan Aldrich, Independent Scholar and Editor of the journal Furniture History