Top Gun Maverick behind the scenes breakdown — An in-depth look at the cinematography of Top Gun Maverick, including how they pulled off such realistic and thrilling aerial cinematography. The Making of Top Gun: Maverick ►► https://bit.ly/hs-tg StudioBinder Blog ►► http://bit.ly/sb-bl ───────────────────── Chapters: 00:00 - Intro — Top Gun Maverick Behind the Scenes 01:10 - Chapter 1: The Top Gun Look 04:29 - Chapter 2: Claudio Miranda's Aerial Cinematography 08:59 - Chapter 3: On-Board Cameras 12:57 - Takeaways ───────────────────── Special thanks to: Armando Ferreira ►► https://bit.ly/st-af Edward Lee ►► https://bit.ly/st-el ───────────────────── TOP GUN MAVERICK BEHIND THE SCENES It’s safe to say that Top Gun Maverick was one of the most successful summer blockbusters in recent memory. This was partly due to the fact that the aerial cinematography looked insanely real. That’s because it was. In this video, we’ll look at Top Gun Maverick behind the scenes and the ingenious ways they shot the aerial sequences. Tony Scott’s original Top Gun showcased groundbreaking aerial cinematography in 1986. But they were limited by what they could shoot, especially from inside the cockpit. Fast forward 36 years, when director Joseph Kosinski and cinematographer Claudio Miranda developed an ingenious way to shoot all of the aerial sequences practically. This included a 6-camera system placed inside the cockpit. That’s right, they fit 6 Sony Venice cameras inside the cockpit with the actors. In fact, there were three separate systems to shoot the intense aerial cinematography. Ground-to-air involved shooting planes from the ground. Air-to-air allowed other aircraft to capture footage of the jets. And as mentioned above, onboard cameras were also used with mounts inside and outside the aircraft. When combined in editing, each of these systems could capture and present the most dynamic and exhilarating aerial sequences. With this look at Top Gun Maverick behind the scenes, we can see just how dedicated Kosinski, Miranda, and their entire crew was to present an authentic and immersive experience. These days, CGI, green screen, virtual production, and LED volume technology are becoming the new normal. But no matter how far that technology goes, there’s still nothing like the real thing. #FilmTheory #VideoEssay #Filmmaking ───────────────────── VIDEO EDITOR: BRANDON SCULLION ───────────────────── ♬ SONGS USED: “Danger Zone” - Kenny Loggins “Main Titles” - Lorne Balfe, Harold Faltermeyer, and Hans Zimmer “Reborn” - Bradford Nyght “Darkstar” - Lorne Balfe, Harold Faltermeyer, and Hans Zimmer “I Aint Worried” - OneRepublic “Dagger One is Hit/Time To Let Go” - Lorne Balfe, Harold Faltermeyer, and Hans Zimmer “Only Fire” - Makeup and Vanity Set “You’re Where You Belong/Give Em Hell” - Lorne Balfe, Harold Faltermeyer, and Hans Zimmer “Tally Two/What’s The Plan/F-14” - Lorne Balfe, Harold Faltermeyer, and Hans Zimmer “Won’t Get Fooled Again” - The Who “Stuck Behind A Train” - Makeup and Vanity Set “No Idea Man” - Makeup and Vanity Set “Quantum IV” - Makeup and Vanity Set “Hold My Hand” - Lady Gaga Music by Artlist ► https://utm.io/umJx Music by Artgrid ► https://utm.io/umJy Music by Soundstripe ► http://bit.ly/2IXwomF Music by MusicBed ► http://bit.ly/2Fnz9Zq ───────────────────── SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0 Looking for a production management solution for your film? Try StudioBinder for FREE today: https://studiobinder.com/pricing — Join us on Social Media! — Instagram ►► https://www.instagram.com/studiobinder Facebook ►► https://www.facebook.com/studiobinderapp Twitter ►► https://www.twitter.com/studiobinder