2024 JUNO Award Winner for Best Classical Album of the Year! Concert recorded in Montreal, on March 19 2022, as part of Constantinople 20th Season. Constantinople en concert / Our next concerts: https://linktr.ee/constantinople Marco Beasley, voice Fabio Accurso, lute Didem Bașar, kanun Marco Ferrari, recorders, nay & ciaramella Patrick Graham, percussions Tanya LaPerrière, baroque violin & viola d’amore Stefano Rocco, archlute & baroque guitar Kiya Tabassian, setar, voice & director 00:00:28 - KUH-PAREH Agha Mo’men (16th century) - Cantemir Collection n.163 00:06:14 - NON VAL AQUA AL MIO GRAN FOCO Bartolomeo Tromboncino (1470-1535) - Libro II, Franciscus Bossinensis, Fossombrone, 1511 00:12:30 - STARALLA BEN CUSSÌ Anonyme (16th century) - Libro II, Franciscus Bossinensis, Fossombrone, 1511 00:15:08 - PARVÂZ Kiya Tabassian (1976) - Poem of Amir Khusrow (1253-1325) 00:21:32 - PAN DE MIGLIO CALDO Anonyme (16th century) - Libro VI, Petrucci, Venetië, 1505 00:25:58 - SALTARELLO E PIVA Ambrogio Dalza (?-1508) - Intabolatura... libro II, Petrucci, Venetië, 1508 00:34:52 - SERA NE LO COR MIO Anonyme (15th century) - MS Sevilla, Colombina 5-l-43 00:38:15 - TU DORMI / ROUZ-O-SHAB Bartolomeo Tromboncino, Vers additionels de Marco Beasley (1957), source: Libro I, F Bossinensis, 1509 / K.Tabassian (1976) - Poem of Rumi (1207-1273) 00:44:37 - SO STATO NEL INFERNO Anonyme (15th century) Poem of Feo Belcari - MS Sevilla, Colombina 5-l-43 00:48:16 - Solo Kanun, Didem Bașar 00:50:23 - SEMAI PIRE MEY FOROUSH Anonyme (16th century) - Poem of Hafiz (1320-1390), source: Macmua-i Saz u Suz 00:56:53 - CAVALCA SINISBALDO Anonyme (16th century) - MS Sevilla, Colombina 5-l-43 01:00:56 - HIJAZ SEMAI Anonyme Persan (16th century) - Macmua-i Saz u Suz 01:06:45 - NOI CHE SEMPER NAVEGHEMMU Anonyme de Genova (15th century) – Text edited by Gian Piero Alloisio (1956) 01:10:29 - GOLESTAN Anonyme Persan (16th century) - Cantemir Collection 01:21:17 - (Biz) COMO SENCZA LA VITA - Tarantella Napolitain ~~~~~~~~~~~~~~~~~~~~ Building musical bridges between traditions is at the very core of Constantinople, the ensemble we founded over twenty years ago. This is the mission we are dedicated to pursuing, the principle that guides us: to explore music from today and from times long past, from here and from faraway places. The bridge imagined by Leonardo da Vinci was the spark that ignited this musical program. The music of the two cultural spheres he sought to connect with this impressive work of architecture enters into dialogue here, creating a unique and expressive soundscape that brings the bridge he dreamed about to life. Together with my colleague and dear friend Marco Beasley we have made a careful selection of compositions – inspiring, musical, poetic – from the time of Leonardo da Vinci. The foundation of our bridge is made up of pieces and poems taken from manuscripts and printed works of the era: from Italian frottole from the 15th and 16th century to Genovese songs, from Ottoman instrumental compositions to Persian poems by Hafez, Rumi and Amir Khosrow. We then navigated between these works, defining their stylistic boundaries in order to find the passageways between them and to create a true encounter and dialogue which goes beyond a mere juxtaposition of repertoire. And so the bridge imagined and drawn over 500 years ago by the genius Leonardo da Vinci has now been redrawn and erected in music and song through the human and artistic encounter that took place between the eight musicians who contributed to this project. It is our hope that this bridge will be travelled and crossed many times by you, who listen to this concert, and by the inhabitants of both shores, in all senses. © Kiya Tabassian ~~~~~~~~~~~~~~~~~~ Avec ce concert, Constantinople et Marco Beasley recréent en musique le pont dessiné par Leonardo da Vinci en 1502. Ce pont devait être le pont le plus long et audacieux de l’époque, en réunissant l’Europe et l’Asie au-dessus du Bosphore. Il n’a cependant jamais vu le jour et les plans sont restés dans les archives de l’artiste. Cinq siècles plus tard, Tabassian et Beasley ré-imaginent ce pont, avec des œuvres musicales tirées de manuscrits des XVIe et XVIIe siècles reposant dans les bibliothèques.